PHOTOGRAPHY
"... In this sense it seems to resurface reflection of Christian Wolff and his understanding the theoretical thinking as an essential element of the ontology which then becomes the primary structure, albeit preliminary type, compared to those that the same aims as philosopher “Metaphysics of the special” due to the rational psychology applied to the topic of the soul, rational cosmology coupled to the sensible world and rational theology about the divine system. In this way, the optics of the Mirescu reading of the work is expanded by a content that goes beyond the meaning of what we look, of what the artist encourages us to look and where to focus, to finish inevitably to become what we watch and therefore the meaning of the understanding, the understanding and participation of the observer to become art itself ... "
(Claudio Crescentini, The visual world of Camelia Mirescu thought – transmigration Emotive, Romanian Institute of Culture and Humanistic Research – Venezia, 2016)
